<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-14356580</id><updated>2011-04-21T17:02:54.094-07:00</updated><title type='text'>Chaar Taagh</title><subtitle type='html'>Chaar Taagh, literally “four arches”, is an equilateral architectural unit. Consisting of four arches or short Barrel vaults between four corner piers. With a dome on squinches over the central square. This square and the four bays under the arches or barrel vaults together constitute a room of cruciform ground plan. Chaar Taagh is the most prominent element in traditional Iranian architecture. Some consider it the second after Eyvan. Siamak D. Ahi</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-14356580.post-112832238123979085</id><published>2005-10-02T23:42:00.000-07:00</published><updated>2005-10-07T00:33:50.606-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:verdana;color:#666600;"&gt;&lt;em&gt;Even though the news below are related to Bam Reconstruction, workshop on Adobe Preservation and constructing Adobe building, is not only beneficial to Bam. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;color:#666600;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;color:#666600;"&gt;&lt;em&gt;Adobe buildings, particularly earthquake-proof ones have been a challenge of architects and engineers for a long time. Whatever these workshops and building experiences can offer to rebuilding Bam citadel, will have influences beyond the Bam project and can have many applications in different parts of Iran. --Siamak D. Ahi&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/bam%20citadel21.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/bam%20citadel21.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:180%;color:#996633;"&gt;French Institute Constructs &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:180%;color:#996633;"&gt;Adobe Building in Bam&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:180%;color:#996633;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:130%;color:#666600;"&gt;CRAT Institute of France constructs a building with laboratory-made adobe in Bam city.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;Tehran, 1 October 2005 (CHN) – CRAT, a French adobe architecture research institute, will build an adobe building to encourage this style of architecture in Bam. The adobes used in the building are examples of adamant clays produced in the laboratory in Bam Citadel.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The protection of adobe structures is a new field and that has faced experts of cultural heritage with some problems in dealing with this kind of architecture.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;“Centre de recherche sur l'antiquité tardive” (CRAT, the research center for late antiquities), an institute of Université Stendhal Grenoble, is currently engaged in building an adobe structure to promote this style of architecture in the earthquake stricken city of Bam. Concrete is also used as a material for construction of the building,” says Eskandar Mokhtari, head of Bam Citadel salvation project.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;“This project,” he added, “is an example of adobe structure with concrete horizontal and vertical foundation, but the main body of the building is made of adobe.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;”CRAT is one of the institutes that became active in rehabilitation of the Citadel after the earthquake hit the area in 2003, bringing down the Citadel and living tens of thousands dead and homeless.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;According to Mokhtari, “besides engaging in the construction of the building, Iranian experts will be educated for restoration of adobe structures. Three experts from Bam Salvation Project will also participate in the construction”.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The 2 thousand-year Bam Citadel is one of the biggest adobe complexes in the world, 60 percent of which was ruined by the earthquake of 2003. In the last year’s UNESCO Cultural Heritage Conference in China, Bam city and its historical, cultural landscape was registered on the World Cultural Heritage List. The Citadel Salvation Project is underway with financial and expertise aid from international organizations and bodies.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-family:verdana;font-size:180%;color:#996633;"&gt;Bam Citadel to Host Workshop&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;font-size:130%;color:#666600;"&gt;A joint team of Iranian and Italian experts will hold a workshop in Bam Citadel for adobe preservation and restoration.&lt;/span&gt;&lt;span style="font-family:verdana;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:verdana;"&gt;&lt;p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:verdana;"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/bam%2813%29%282%29.jpg" border="0" /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;Tehran, 25 September 2005 (CHN) -- A team consisting of Italian and Iranian experts will hold training classes for preservation and restoration of adobe sites in Bam Citadel in February/March 2006.&lt;/span&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;Restoration and preservation of adobe structures is a new domain, therefore experts of the Cultural Heritage and Tourism Organization of Iran have faced many problems in this regard.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;“Iranian and Italian experts will hold two training courses for preservation and restoration of adobe sites in Bam Citadel at the end of the coming winter,” said Eskandar Mokhtari, head of Bam Salvation Project.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;Mokhtari explained that based on meetings held by the attendance of the Italian team during this week, the classes will be held for experts and craftsmen both in theory and practice.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;By the time the classes are held, the restoration of one of the towers of Bam Citadel, its Tekieh (the place for holding religious ceremonies), and Sistani house is expected to be finished. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;Mokhtari described these classes as a valuable opportunity for the trainees.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;The earthen city of Bam is one for the most important historical and cultural cities in the world which dates back to 2000 years ago. The site was almost destroyed in the earthuake that hit the area in 2003. Bam and its cultural landscape were registered on World Heritage List of UNESCO in 2004.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a class="hpTitr1" id="hpTitr" style="WIDTH: 460px"&gt;&lt;/p&gt;&lt;/a&gt;&lt;p&gt;&lt;span style="font-family:verdana;font-size:180%;color:#996633;"&gt;Underground Cubbyholes &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;font-size:180%;color:#996633;"&gt;Surface in Bam Citadel&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:130%;color:#666600;"&gt;Two adjacent underground rooms now filled with debris have been discovered in Bam Citadel.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/bam(15).jpg"&gt;&lt;span style="font-family:verdana;"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/bam%2815%29.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;Tehran, 7 September 2005 (CHN) -- Excavations in Bam Citadel led to the discovery of two underground cubbyholes in the barrack section of the Citadel.&lt;br /&gt;&lt;br /&gt;According to experts, the historical Bam Citadel, which is one of the biggest earthen structures in the world and was registered on UNESCO World Heritage List dates back to the Sassanid era, but the exact time of it is not yet known.&lt;br /&gt;&lt;br /&gt;“In excavations of the east side of the main gate of the barrack, we discovered two closed doors. After opening them, two small underground cubbyholes were discovered,” says Eskandar Mokhtari, head of Bam Salvation Project.&lt;br /&gt;&lt;br /&gt;According to him, the rooms are connected to each other and due to the destruction of their roofs, they have been filled with soil and debris. The original body of the rooms had been made of adobe on which some brick reconstructions have been done.&lt;br /&gt;&lt;br /&gt;One of the discovered rooms is 225x252 square centimeters and the other 323x252 square centimeters. Of the first room just some small parts are left intact. Due to the dampness, the adobe structure of the rooms has decayed. A shell and a piece of metal have been found in the room.&lt;br /&gt;&lt;br /&gt;After the earthquake that hit Bam two years ago, the Cultural Heritage and Tourism Organization of Iran with the cooperation of some of the world organizations such as UNESCO have started some activities for the salvation of the historical sites of Bam city.&lt;br /&gt;&lt;br /&gt;In the 29th session of UNESCO World Heritage committee which was held in Durban in South Africa, UNESCO praised the so-far attempts of Iranian officials and countries helping in the project including Japan and Italy.&lt;br /&gt;&lt;br /&gt;The earthen city of Bam is one for the most important historical and cultural cities in the world which dates back to 2000 years ago. Last year in the UNESCO’s World Heritage Committee held in China, some decisions were made for Bam Salvation and Bam was registered in UNESCO World Heritage List.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112832238123979085?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112832238123979085/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112832238123979085' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112832238123979085'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112832238123979085'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/10/even-though-news-below-are-related-to.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14356580.post-112363935739099679</id><published>2005-08-09T18:59:00.000-07:00</published><updated>2005-08-10T16:36:48.990-07:00</updated><title type='text'></title><content type='html'>&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad-FlandinLacoste1.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/Firuzabad-FlandinLacoste1.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="color:#666600;"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;The oldest drawing of Firuzabad, by Flandin Lacoste,19th century&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;span style="color:#666600;"&gt;Firuzabad Area Plan&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad-AreaPlan2.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/Firuzabad-AreaPlan1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;font-size:180%;color:#660000;"&gt;Chaar-Taagh&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;font-size:180%;color:#ffffff;"&gt;&lt;strong&gt;-------------&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;color:#999900;"&gt;Part Two&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;&lt;span style="color:#666600;"&gt;The first fully developed&lt;em&gt; Chaar-Taagh&lt;/em&gt; seem to have been the now ruined &lt;em&gt;Takht-e Nishin&lt;/em&gt;, probably the fire temple that Ardeshir is reported to have built in &lt;em&gt;Bishapour&lt;/em&gt;.&lt;/span&gt;&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;"&gt;Archeological evidence, combined with description in medivial texts (Ebn al-Balkhi), permits reconstruction of cubical building with walls of cut stone, a brick dome, and an eyvan projecting from each side.&lt;br /&gt;&lt;br /&gt;Ebn al-Balkhi’s &lt;em&gt;Fars-nameh&lt;/em&gt; and other medieval reports have confused and combined the Takht-e Nishin and the nearby tower-like minar, called Tirbal in ancient times.&lt;br /&gt;&lt;br /&gt;Herzfeld, assuming that thiss name belonged to &lt;em&gt;Takht-e Nishin&lt;/em&gt;, suggested that it was a derivation of Greek word tetra pylon, the equivalent of Persian &lt;em&gt;Chaar-Ghapoo&lt;/em&gt;. This unjustified hypotheses led to the erroneous reconstruction of the ruin as an open canopy, reflecting a Roman quadruple gate like the lanus Quadroons (Godard, 1938). &lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;div align="left"&gt;&lt;span style="font-family:verdana;font-size:130%;color:#660000;"&gt;Largest Sasanian Chaar-Taagh&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-family:Verdana;font-size:130%;color:#660000;"&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;Probably the largest Sasanian Chaar-Taagh ever built was the hall of so-called &lt;strong&gt;&lt;span style="color:#999900;"&gt;“Palace of Shapour I”&lt;/span&gt;&lt;/strong&gt;, Ardeshirs son and successor, in Bishapour. The dome of which spanned 22.75m.&lt;br /&gt;&lt;br /&gt;It seems to have been the first Chaar-Taagh to be surrounded by an ambulatory, which separated the central cruciform unit from the other room of the complex, the function of which is still debated (Girshman 1956).&lt;br /&gt;&lt;br /&gt;From the later Sasanian period examples of the simple cruciform Chaar-Taagh and Chaar-Taagh surrounded by ambulatory are all known in various permutations.&lt;br /&gt;&lt;br /&gt;For example, those excavated at &lt;em&gt;Kouhe Khajeh, Takht-e Soleyman, Ghal’e-ye Yazdgerd&lt;/em&gt;, all with ambulatories and additional rooms, and the one in &lt;em&gt;Tureng Tepeh&lt;/em&gt; -a simple closed cube, possibly with an entrance room or shelter. Countless others have been reported from surveys, but the majority are only superficially documented, and traces of enclosure walls, Surrounding corridors, or adjacent rooms have frequently been overlooked. Furthermore, as attribution to Sasanian period has not been confirmed by excavation or other archeological evidence and as Sasanian building techniques did not change fundamentally in Iran with Arab conquest, dating such buildings to one period or other is often problematic.&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;div align="left"&gt;&lt;span style="font-size:130%;color:#660000;"&gt;Chaar-Taagh and Atash-gaah&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;Andre Godard and Kurt Erdman , who misunderstood the remaining cores of ruined Chaar-Taaghs, suggested that the main element of Sasanian fire sanctuary was a “canopy Chaar-Taagh”, a free-standing, domed baldachin with arches open to the outside.&lt;br /&gt;&lt;br /&gt;They assumed that the sacred flame was brought from a hypothetical repository, &lt;em&gt;atash-gaah&lt;/em&gt; (or &lt;em&gt;atash-dan&lt;/em&gt;) to canopy for worship during ceremonies. The term &lt;em&gt;Chaar-Taagh&lt;/em&gt; thus became nearly synonymous with &lt;em&gt;“Fire Temple”&lt;/em&gt; in architectural and art-historical literature. There is no archeological evidence that a canopy &lt;em&gt;Chaar-Taagh&lt;/em&gt; existed in Sasanian period.&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="color:#999900;"&gt;Furthermore, the transfer of fire does not accord with fundamental Zoroastrian ritual.&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" height="113" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/Firuzabad-FrontRecon.jpg" width="227" border="0" /&gt; &lt;p align="center"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;span style="color:#666600;"&gt;Firuzabad Reconstruction of Front&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;p align="right"&gt;&lt;/span&gt;&lt;/p&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" height="105" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/Firuzabad-FrontSection.jpg" width="207" border="0" /&gt; &lt;p align="center"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;span style="color:#666600;"&gt;Firuzabad Section Parallel to front&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad-SideElevation1.jpg"&gt;&lt;img style="WIDTH: 320px; CURSOR: hand; HEIGHT: 114px" height="139" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/Firuzabad-SideElevation.jpg" width="320" border="0" /&gt;&lt;/a&gt; &lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad-SideRecon1.jpg"&gt;&lt;img style="WIDTH: 320px; CURSOR: hand; HEIGHT: 123px" height="143" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/Firuzabad-SideRecon.jpg" width="320" border="0" /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:verdana;font-size:85%;color:#666600;"&gt;Firuzabad Side Elevations&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112363935739099679?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112363935739099679/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112363935739099679' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112363935739099679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112363935739099679'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/08/oldest-drawing-of-firuzabad-by-flandin.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14356580.post-112268711419726994</id><published>2005-07-29T18:25:00.000-07:00</published><updated>2005-07-29T21:07:45.973-07:00</updated><title type='text'></title><content type='html'>&lt;span style="color:#666600;"&gt;&lt;span style="font-family:verdana;font-size:180%;color:#996633;"&gt;Firouzabad Palace&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;(read Chaar-Taagh article)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad-ArdeshirCloseup1.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/Firuzabad-ArdeshirCloseup.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Ardeshir in Bas Relief commemorating his victory near Firouzabad. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Firouzabad, means "place of victory" and located sixty kilometer south of Shiraz in central Iran. Here in 224AD Ardeshir ended the Roman rule in a battle.&lt;/span&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad012.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/Firuzabad011.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Above: Palace overlooks a small lake&lt;br /&gt;Below: The throne room&lt;/span&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad053.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/Firuzabad051.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad082.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/Firuzabad081.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Close up of a wall with niche&lt;/span&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad121.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/200/Firuzabad121.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Exterior walls&lt;/span&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/Firuzabad132.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/200/Firuzabad132.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;Will continue with drawings and second part of "Chaar-Taagh" article.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112268711419726994?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112268711419726994/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112268711419726994' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112268711419726994'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112268711419726994'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/07/firouzabad-palace-read-chaar-taagh.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14356580.post-112189894476928769</id><published>2005-07-20T15:32:00.000-07:00</published><updated>2005-07-29T17:11:13.150-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:verdana;"&gt;&lt;em&gt;In search for&lt;/em&gt; &lt;em&gt;&lt;strong&gt;&lt;span style="color:#999900;"&gt;Chaar-Taagh&lt;/span&gt;&lt;/strong&gt; in reliable sources, I use encyclopedia iranica as the first step. Here, in case of&lt;/em&gt; &lt;em&gt;&lt;strong&gt;&lt;span style="color:#999900;"&gt;Chaar-Taagh&lt;/span&gt;&lt;/strong&gt;, I treated iranica text in the same way I treated it in history of Bam for&lt;/em&gt;&lt;em&gt; page. I try to transfer the whole text of iranica to an easy to read article. Paragraphs, emphasizes, titles or subtitles are mine. Thanks to computer and internet these days, I can continue working on them, reflecting your comments and adding pictures and maps. --Siamak D. Ahi&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color:#993300;"&gt;Chaar-Taagh&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#ffffff;"&gt;--------------&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;color:#993300;"&gt;Meaning&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;em&gt;Chaar-Taagh&lt;/em&gt;, literally "four arches", is an equilateral architectural unit consisting of four arches or short Barrel vaults between four corner piers, with a dome on squinches over the central square; this square and the lateral bays under the arches or barrel vaults together constitute a room of cruciform ground plan, &lt;em&gt;Chaar-Taagh&lt;/em&gt; is the most prominent element in traditional Iranian architecture after Eyvan. &lt;em&gt;(I agree with the ones who believe Chaar Taagh is the most prominent element in traditional Iranian architecture. --Siamak D. Ahi).&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The term &lt;em&gt;Chaar-Taagh&lt;/em&gt; probably originally became current because it seems descriptive of many ruins that can be observed in Iran. Most of these ruins are, however, only the surviving core of more complex buildings, from which surrounding walls, ambulatories, and subsidiary rooms have disappeared.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;As the domed unit with four axial arches has been in continuous use in both religious and secular context, over a period of more than 1,500 years, the term cannot be considered to define a single functional building type:&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#999900;"&gt;&lt;em&gt;&lt;strong&gt;Chaar-Taagh must be used only in its literal sense, to identify specific architectural form.&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;color:#993300;"&gt;Origins&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;The origins of the &lt;em&gt;Chaar-Taagh&lt;/em&gt; are still a matter of debate. It has been suggested that the dome on squinches originated in the mud-brick architecture of eastern Iran. Where it may have been developed from the simple pitched-brick dome or squinch vault. &lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;The earliest definite archeological evidence of pitched-brick vaulting, like those found above some tombs at Ur, are dated to the first half of the third millennium B.C. These evidences may be the forerunners.&lt;br /&gt;&lt;br /&gt;In Iran there is no evidence of &lt;em&gt;Chaar-Taagh&lt;/em&gt; earlier than the beginning of the Sasanian period. The cruciform ground plan appeared in rudimentary form in Parthian buildings like &lt;em&gt;Ghaleh-ye Zah-haak&lt;/em&gt;. In Azerbaijan, which where influenced by Roman architectural forms. It was fully developed in structures roofed with pendent domes, circumscribing the square; which were popular in 2nd and 3rd century Roman Syria. For example the western baths at Jerash and the so-called &lt;em&gt;Ghasr-e Noveyjis&lt;/em&gt; at Amman.&lt;br /&gt;&lt;br /&gt;It may be assumed, that the first step in development of &lt;em&gt;Chaar-Taagh&lt;/em&gt; in Iran, was taken at &lt;em&gt;Firooz-abaad&lt;/em&gt; about 2nd decade of A.D. In 3rd century, in buildings erected by &lt;em&gt;Arde-sheer&lt;/em&gt; before he become king in 224.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;color:#993300;"&gt;Chaar-Taagh and Chaar-Ghapoo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:130%;color:#993300;"&gt;&lt;/span&gt;&lt;br /&gt;Both the earlier Clifftop fortress of &lt;em&gt;Ghal-e Dokhtar&lt;/em&gt;, and the later nearby Great Palace contained domed cubes, each with four axial doors. This type, which is essentially a square room with plain walls, may correctly be called Chaar-Ghapoo , literally, "four doors"&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;em&gt;Chaar-Ghapoo&lt;/em&gt; is sometimes applied to &lt;em&gt;Chaar-Taagh&lt;/em&gt; structures as well. Although &lt;em&gt;Chaar-Taagh&lt;/em&gt; may have developed from the &lt;em&gt;Chaar-Ghapoo. &lt;/em&gt;In the strict sense, the terms are not interchangeable. But neither are they entirely antithetical. They may describe different aspects of the building.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color:#999900;"&gt;The term Chaar-Ghapoo characterizes the connective possibility of layout, whereas Chaar-Taagh primarily denotes the system of construction.&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color:#999900;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;Under the first aspect &lt;em&gt;Chaar-Taagh&lt;/em&gt; may be called a &lt;em&gt;Chaar-Ghapoo&lt;/em&gt;, if there are opening doors in the enclosure walls or in the back walls of the four bays. Otherwise the term &lt;em&gt;Chaar-Ghapoo&lt;/em&gt; should be applied only to those buildings, where there are comparatively small openings that justify the designation door or gate. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;This condition is fulfilled in the so-called &lt;em&gt;Chaar-Ghapoo&lt;/em&gt; at &lt;em&gt;Ghasr-e Shirin&lt;/em&gt;, which has to be dated to the time of &lt;em&gt;Khosrow Parviz II&lt;/em&gt;. Although an early Islamic date has been also suggested; the so-called fire temple of Anahita at Bishapour can be called &lt;em&gt;Chaar-Ghapoo&lt;/em&gt; as well. Its roofing, however, is debated and there was certainly no dome. The archeological evidence seem to indicate that the &lt;em&gt;Chaar-Ghapoo&lt;/em&gt;, with simple square interior without bay was rare In monumental pre-Islamic architecture in Iran.&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:85%;color:#993300;"&gt;Will continue&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112189894476928769?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112189894476928769/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112189894476928769' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112189894476928769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112189894476928769'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/07/in-search-for-chaar-taagh-in-reliable.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14356580.post-112149031662681050</id><published>2005-07-15T21:52:00.000-07:00</published><updated>2005-07-18T20:56:14.726-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#996633;"&gt;&lt;span style="font-size:180%;"&gt;Chaar Taagh in&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ffffff;"&gt;&lt;span style="font-family:Verdana;font-size:180%;"&gt;-----------------&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span style="color:#996633;"&gt;&lt;span style="font-size:180%;"&gt;Encyclopaedia Iranica&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;img alt="Italic" src="http://www.blogger.com/img/gl.italic.gif" border="0" /&gt;&lt;br /&gt;&lt;span style="color:#ffffff;"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span style="font-size:180%;"&gt;------------------------&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.iranica.com/articlenavigation/index.html"&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;http://www.iranica.com/articlenavigation/index.html&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:Verdana;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#996633;"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;The link above takes you to Entries in alphabetical order. For the title Chahar Tagh click on letter "C".&lt;br /&gt;&lt;br /&gt;Chaar Taagh appears similar to UAHAURTAUQ , because of phonetics. There is also a serial number next to each title. The serial numbers 3112 and 3113 are both about Chaar Taagh. The first one is about the pre-islamic period and the second one is about Islamic period.&lt;br /&gt;&lt;br /&gt;Chaar Taagh in Encyclopaedia Iranica starts on page 634, if you like to go with page numbers. Pages are in pdf format (total of 9 pages). Click on "Read" to open the pdf file.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#996633;"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#996633;"&gt;&lt;/span&gt;&lt;span style="font-size:130%;color:#9999ff;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112149031662681050?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112149031662681050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112149031662681050' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112149031662681050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112149031662681050'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/07/chaar-taagh-in-encyclopaedia-iranica.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14356580.post-112113493321959601</id><published>2005-07-11T19:21:00.000-07:00</published><updated>2005-07-16T10:57:07.666-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-size:180%;color:#996633;"&gt;&lt;strong&gt;راستی را دوست دارم و از دروغ روی گردانم&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/azdariush1.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/400/azdariush1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#996633;"&gt;......................................................................&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#996633;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;" به خواست اهورامزدا، من چنينم که راستی را دوست دارم و از دروغ روی گردانم. دوست ندارم که ناتوانی از حق کشی در رنج باشد. همچنين دوست ندارم که به حقوق توانا به سبب کارهای ناتوان آسيب برسد. آن چه را که درست است من آن را دوست دارم. من دوست برده ی دروغ نيستم. من بدخشم نيستم . حتی وقتی خشم مرا مي انگيزد آن را فرو مينشانم. من سخت بر هوس خود فرمانروا هستم".&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;.....................................................................&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;از سنگ نبشته های داريوش بزرگ&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112113493321959601?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112113493321959601/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112113493321959601' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112113493321959601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112113493321959601'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/07/blog-post.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-14356580.post-112098218679316426</id><published>2005-07-10T00:55:00.000-07:00</published><updated>2005-07-16T11:00:13.076-07:00</updated><title type='text'></title><content type='html'>&lt;a href="http://photos1.blogger.com/blogger/3554/1292/1600/pattern.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/blogger/3554/1292/320/pattern.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#666600;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Chahar taghi-e Kheir-abad&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#999900;"&gt;Kohgiluyeh va Boyer-ahmad -chn&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/14356580-112098218679316426?l=chaartaagh.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chaartaagh.blogspot.com/feeds/112098218679316426/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=14356580&amp;postID=112098218679316426' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112098218679316426'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/14356580/posts/default/112098218679316426'/><link rel='alternate' type='text/html' href='http://chaartaagh.blogspot.com/2005/07/chahar-taghi-e-kheir-abad-kohgiluyeh.html' title=''/><author><name>Siamak D. Ahi</name><uri>http://www.blogger.com/profile/02696873347525590006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
